Spilotro was also tried on murder charges, but the feds couldn’t get a conviction. In 1978, Rosenthal was denied a gaming license, and Spilotro’s name was entered into the “black book,” forbidding him entrance into any Vegas casino. Frank “Lefty” Rosenthal ran the hotel scene, while Anthony “The Ant” Spilotro was in charge of street rackets. They turned their attention to two men in particular who were placed in Vegas by high-ranking mob members in Chicago.

In the mid-1970s, both the federal government and state of Nevada became less willing to tolerate mob activity in Las Vegas. More than 40 years later, there is no single celebrity more closely tied to Vegas than the King himself. Their entertainment included such Vegas icons as Tom Jones, Siegfried & Roy, Liberace, and Elvis, who performed over 800 sold-out shows between 1969 and his death in 1977.

The door was now open for corporate casinos run by Hyatt, Hilton, and other companies to set up shop and perhaps begin to push out organized crime. The 1969 corporate gaming law made it possible for corporations to operate gambling establishments in Las Vegas. The Nevada state legislature took notice and liked what it saw. This was a significant departure from the Vegas norm: a respectable businessman was now running hotels instead of the mob. Over the next two years, Hughes bought several more hotels in Las Vegas. The eighth floor became his center of operations, and the ninth floor was his residence. So Hughes did what any billionaire would do: he bought the hotel.

Eccentric billionaire Howard Hughes checked into the Desert Inn and refused to leave. The legendary hotels that were built during the city’s first great boom - the Sahara, Sands, Desert Inn, Riviera, Dunes, Tropicana, Stardust, and others - were inseparably tied to the underworld.Ī turn of events began in 1966. It would undergo not one but two significant transformations in coming years.Įver since 1931, when gambling was again legalized in the state of Nevada, organized crime had been deeply involved in whatever happened in Las Vegas. In the decades that followed, two men, in quite different ways, would be catalysts for sweeping revisions in the story of Las Vegas. And it seemed that Vegas had grown up, become comfortable in its own skin, adopted its own persona, and wasn’t about to change.īut Vegas of the ’50s and ’60s was just a first iteration. The Strip was populated by hotels that many could name, although relatively few people had actually been there. After all, anyone, at any time, could go to Vegas and strike it rich. Las Vegas, a city barely 50 years old by the mid-1950s, lived in the national consciousness as a place of possibilities.

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